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| Movie Review: You Can Count on Me Story: It was refreshing to see a film that grabbed me from
the first frame. Absorbing storytelling, interesting characters and
great acting makes me one happy cinematic reviewer. (Have you noticed
I have been trying to tell you what I think about a film in the first
sentence of the review?)
Co-winner of the Grand Jury Prize at Sundance (shared the Girlfight)
and winner of the Aldo Salt Screenwriting Award, this modest film debut
by director and screenwriter Kenneth Lonergan (Analyze
This and stage play This is Your Youth) is filled with
wonderful small moments. This film slowly envelops you with a very satisfying
warmth.
It is the present, in upstate New York (where, by the way, Hillary got
47% of the vote -- sorry for still talking politics) where we meet young
30ish Samantha Prescott, a banking loan officer with an 8 year old son,
who is about to get a visit from her long since seen wandering younger
brother, Terry.They were orphaned as children and each have reacted
to this childhood trauma in different ways. This is a love story between
two siblings (I can't remember when I have seen such amazing chemistry
between actors), it is about the drama in ordinary lives, it is about
endurance and life.
I think everyone will be able to identify with some of the characters
or their actions in this film. It's simplicity somehow still keeps you
interested.
Acting: Laura Linney (The Truman Show,TV's Tales
of the City) is simply marvelous. She carries the film. I predict
she will start getting some of the Helen Hunt roles (I hope) and you
will enjoy her much more. She is intelligent, has style and great range.
Mark Ruffalo (Ride With the Devil and stage
play This is Your Youth) surprised me with his performance.
He was just perfect for this complex role of younger brother, Terry.
Rory Culkin (yes, another Culkin kid -- is there no
end)? was terrific as the big eyed 8 year old son. Kenneth Lonergan
gave himself a small part (a la John Sayles' appearances in
his own movies) as the priest. Jon Tenney as the steadfast
boyfriend and Matthew Broderick as the boss/fling were
also both great.
Pets: Alas, a definite oversight. There were no pets
in the small town of Scottsville. Maybe there were budgetary concerns,
who knows?
Visual Art: Lots of wonderful student art class type
watercolors all over the house. A nice touch.
Soundtrack: Heavy handed, but often times funny.
Titles: Action preceded the titles and worked very
well.
Theater Audience: Very crowded And while standing on
line I noticed everyone was very tall. I have no idea what this means.
Quirky Meter: 3
Tissue Usage: 1
Oscar Worthy: YES
Nit Picking: The craft of the film was wanting. And
with Martin Scorsese as one of the executive producers I would have
thought there would be more attention paid to editing, lighting and
music. It very often had the look of a TV movie. The largeness of the
silver screen was not there.
Length: A perfect 110 minutes
LOBO HOWLS: 9
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