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| Movie Review: Pollock
Story: If you like art, good acting and are interested
in the highs and lows of the creative process this film biopic is for
you. Everyone knows who Jackson Pollock (1912-1956)
was. He was the artist who, even 45 years after his suicide, other artists
have to defend, when casual observers opine, But, even a child could
make a painting like that! He and his contemporary abstract expressionists
of the 40's and 50' changed the face of modern art and critics and artists
have been trying to explain it ever since. Groan! Don't get me started
about my opinions on art. That's a whole other series of rantings and
reviews. Meanwhile, back to the film - Ed Harris, as
first time director, producer and star does an adequate job with a ho
hum script that was adapted from a book called Jackson Pollock:
An American Saga by Naifeh and Smith.
Harris brings us the raw, often not pretty process of creativity and
genius. The film focus' on the nine years before Pollock became the
20th century's first artist/celebrity accompanied by a big spread in
Life magazine, newsreels and documentaries by filmmaker Hans
Namuth. We get to see his drinking binges (he was not a happy
drunk) his stormy moods and his multi layered marriage to fellow artist
Lee Krasner. The film is as much about Krasner who
was his wife, his Muse, his promoter, his business manager and clearly
without her he would never have seen his day in the sun. There are no
epiphanies about him, art, life or death. There are also way too many
extraneous characters who are not developed. But this is a well made
biopic about an extraordinary figure in the history of art. Be warned
- if you don't like art this will probably be a yawner for you.
Beware of the following segue: Steve Martin (who happens to be Hollywood's
premiere art collector) will be hosting this years Oscar ceremony.
Acting: Ed Harris is simply wonderful as the tortured
Jackson Pollock. Many paint brush salutes to him for this terrific understated
performance. Marcia Gay Harden as Lee Krasner is brilliant.
She is smart, tough and stirring. Wonderful supporting roles by Amy
Madigan (Harris' real life wife) as Peggy Guggenheim, Val
Kilmer, looking exactly like a young deKooning, Bud
Cort (oh, how we all loved Harold and Maude) as Howard
Putzel, Jeffrey Tambor as Clement Greenberg the art
critic who made and broke many artists of the day and John Heard
as Tony Smith.
Pets: A wonderful black and white border collie named
Chip, a crow, seemingly quite domesticated, a fox seen from afar and
a raccoon.
Food: Lots of food eaten, prepared and thrown.
Visual Art: Needless to say......everywhere.
Soundtrack: Wonderful Billy Holiday, Krupa, etc. A
wonderful Tom Waits tune at the end. Interesting that Tom Waits was
also heard in the biopic of Basquiat.
Titles: A subtle black and white. Nice touch.
Theater Audience: This film is in release for a mere
week at only one theater in all of Manhattan to allow it to be considered
for the Academy nominations. It will be re-released in January nationwide.
Therefore the newspaper ads said all members of the Academy voting
community were invited free, plus a guest, also every artist in
town was there (we paid) and the crowd who needs to see everything immediately
was there (I guess I could be in that group as well). Anyway, the artists
were the only ones laughing at the funny in jokes during the
movie. It was very crowded and there was a big line for the next show
as well.
Quirky Meter: 4
Oscar Worthy: Ed Harris and Marcia Gay Harden
will probably get a nod.
Nit Picking: Too many unresolved characters making
some of the film seem crowded and claustrophobic.
Big Screen or Rental: Rental would be fine. You could
have an art biopic weekend and also rent Altman's Vincent and Theo
and Schnabel's Basquiat.
Length: 2 hours
LOBO HOWLS: 6
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