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| Movie Review: Perfume Alternate Title: The Smell of Paradise
Story: I love the smell
of napalm in the morning is one of my favorite lines from any film
- ever. Smell happens to be my strongest sense and living in NYC gives
me the opportunity to use that sense often - sometimes unpleasantly.
If you like CSI, a hint of sensationalism, a
bouquet of mystery and a whiff of history - this film is for you. I
loved the book and I loved the movie. The brilliant German director
Tom Tykwer (Run Lola Run and one of my all
time favorites that no one saw, Heaven) brings a super novel
Das Parfum (Perfume) by Patrick Suskind to
the big screen with a screenplay by Andrew Birkin, Bernd Eichinger
and Tom Tykwer.
The story surrounds an orphan, Jean-Baptiste
Grenoille, born in the 1740's in the slums of Paris. He is blessed or
cursed with a sensational ability to smell everything in the world.
He does not judge good or bad odors - he can just smell everything.
The film is magical and it is disturbing. Our main character is obsessed
with learning the perfumery business and how to capture all of the smells
he can sense - even the mythical smell of paradise. He is unstoppable,
no matter the means, in his quest to fulfill this ambition.
The film is in four parts - each of them building
to a climax that will send your senses through the roof. The visuals
are extraordinary. The film is about obsession (conveniently the name
of a perfume), quest and smell.
This is the most expensive German film ever made
and it is said that many other directors passed over the opportunity
to bring it to the screen (Kubrick, Scorsese, Milos Froman and Ridley
Scott). They all thought it could not be done.Well, it can be done -
with aplomb!
If you would like to get a sense of what 18th
century Paris and its environs might have been like this film will take
you back in time - with gusto.
Acting: Ben Whishaw as Jean-Baptiste
Grenoille is sensational. He captures the feral, one-dimensional, obsessive
qualities with perfection. There is a fine supporting cast including:
Dustin Hoffman, Alan Rickman, Rachel Hurd-Wood and John Hurt
as the narrator. Oh yes - there is a narrator, but it worked just fine
here.
Predilection: I loved the book and I love Tom Twyker's
work.
Critters: A dog, a cat and livestock.
Soundtrack: Renaissance man, Tom Twyker wrote the
music as well.
Visual Art: I an describe the visuals as magical.
Theater Audience: A few unsmeely souls.
Weather: The weather was fine in mid 18th century
Paris.
Sappy Factor: 0
Quirky Meter: 3
Squirm Scale: There might be some squirmy visuals
to some people - not me.
Drift Factor: Not for a second.
Predictability Level: I read the book.
Tissue Usage: 0
Oscar Worthy: I think some technical aspect of the
film or best adaptation form another source might be appropriate. Big Screen or Rental: Big screen for sure.
Length: A bit long at two hours and 25 minutes.
LOBO HOWLS: 8
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