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| Movie Review: Coco Before Chanel Alternate Title: Poor Little Poor Girl
Story: What's a French girl
to do in the early 20th century if one is not born into money or station?
The options, sadly, were minimal. Young Gabrielle 'Coco' Chanel
was dumped into an orphanage at 12 along with her little sister. Fast
forward 15 years, we find Coco singing for her supper and sewing on
the side. We quickly learn that Coco is no one's fool. She hooks up
with a wealthy man and becomes his upstairs plaything. She insinuates
herself into his group and before long she is breaking fashion rules
by wearing men's altered clothes, featherless hats and aghast - sans
corset. You would think that all of the above would make interesting
fodder for a movie, but alas, I found it wanting. It plodded along with
very little passion, chemistry or excitement.
There was far too much dressing and too little
protein. The meat of the film was missing. I got the district impression
much of the 'truth' was being left out about the life of young Coco.
(read my trivia category to see why). Yes, I got the point that Coco
was her own woman and continually broke the rules for someone living
during those depressing times for women but by film's end, I just did
not give a hoot.
The film was directed
by Anne Fontaine and written by Ms. Fontaine
and Camille Fontaine, Christopher Hampton
and Jacques Fieschi was adapted from the book “L’Irrégulière
ou Mon Itinéraire Chanel” by Edmonde Charles-Roux.
Acting: Audrey Tautou as Coco Chanel
is just fine. She does a lot of penetrating staring and clearly the
camera is in love with her., Benoît Poelvoorde
as her wealthy lover, Étienne Balsan, had the best part and did
a fine job. Alessandro Nivola as Boy Capel, also was
interesting. Marie Gillain as Coco's less realistic
sister, Adrienne was good too.
Trivia: Coco Chanel was a 'horizontal
collaborator' during WW11. Chanel's colluded with the Nazis and after
the war she was arrested and charged with war crimes and then was mysteriously
released. For more on her Nazi past go to this article. http://www.thefirstpost.co.uk/47100,news,chanelrsquos-nazi-past-left-out-of-new-audrey-tautou-film.
Chanel No. 5 was the first fragrance from Parisian couturier
Gabrielle "Coco" Chanel, and has been on sale continuously
since its introduction in 1921. It has been described as "the world's
most legendary fragrance", and remains the company's most famous
perfume. The company estimates that a bottle is sold worldwide every
30 seconds. Audrey Tautou nearly did not get the chance
to play the wonderful Amélie Poulain, as director Jean-Pierre
Jeunet was considering British actress Emily Watson for the role of
Amélie. Alessandro Nivola went to Yale University
and received his degree in English.
Predilection: None
Critters: Horses and dogs
Food: Coco seemed to exist on champagne.
Sex Spectrum: Some rolling around in bed.
Blatant Product Placement: Chanel, of course.
Soundtrack: I cannot remember one note.
Opening Titles: A sequence showing little Coco and
her sister being dropped off at the orphanage.
Visual Art: The production values and details of France
during the time were excellent.
Theater Audience: Not too crowded for the first showing
but there was a line going in for the second showing.
Weather: Ah, France. It is lovely.
Sappy Factor: 0
Quirky Meter: 0
Squirm Scale: 0
Drift Factor: I drifted a bit.
Tissue Usage: 0
Oscar Worthy: No
Big Screen or Rental: Unless you are a fashionista
you might just want to rent this film. Some other films that star Audrey
Tautou are Amelie, the awful DaVinci Code, Dirty, Pretty Things.
Length: Under two hours
LOBO HOWLS: 5 (for Chanel #5)
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